Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Thomas Cole
The Garden of Eden

ID: 86501

Thomas Cole The Garden of Eden
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Thomas Cole The Garden of Eden


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Thomas Cole

1801-1848 Thomas Cole Galleries Thomas Cole (February 1, 1801 - February 11, 1848) was a 19th century American artist. He is regarded as the founder of the Hudson River School, an American art movement that flourished in the mid-19th century. Cole's Hudson River School, as well as his own work, was known for its realistic and detailed portrayal of American landscape and wilderness, which feature themes of romanticism and naturalism. In New York he sold three paintings to George W. Bruen, who financed a summer trip to the Hudson Valley where he visited the Catskill Mountain House and painted the ruins of Fort Putnam. Returning to New York he displayed three landscapes in the window of a bookstore; according to the New York Evening Post, this garnered Cole the attention of John Trumbull, Asher B. Durand, and William Dunlap. Among the paintings was a landscape called "View of Fort Ticonderoga from Gelyna". Trumbull was especially impressed with the work of the young artist and sought him out, bought one of his paintings, and put him into contact with a number of his wealthy friends including Robert Gilmor of Baltimore and Daniel Wadsworth of Hartford, who became important patrons of the artist. Cole was primarily a painter of landscapes, but he also painted allegorical works. The most famous of these are the five-part series, The Course of Empire, now in the collection of the New York Historical Society and the four-part The Voyage of Life. There are two versions of the latter, one at the National Gallery in Washington, D.C., the other at the Munson-Williams-Proctor Arts Institute in Utica, New York. Cole influenced his artistic peers, especially Asher B. Durand and Frederic Edwin Church, who studied with Cole from 1844 to 1846. Cole spent the years 1829 to 1832 and 1841-1842 abroad, mainly in England and Italy; in Florence he lived with the sculptor Horatio Greenough.  Related Paintings of Thomas Cole :. | Course of Empire Consumation of Empire | Blick auf den Arno | Study for Dream of Arcadia | Arch of Nero | New England Scenery |
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VADDER, Lodewijk de
Flemish painter (b. 1605, Bruxelles, d. 1655, Bruxelles) Flemish painter, draughtsman, engraver and tapestry designer. He was received as a master in the Brussels Guild of St Luke on 15 May 1628, probably, like his brother Hubert de Vadder, after an apprenticeship to his elder brother, Philippe de Vadder (Coeckelberghs). Lodewijk is best known as a landscape painter, although he also executed landscape engravings and drawings. He was granted a privilege to make tapestry cartoons by the Brussels city magistrate in 1644. In this capacity he worked mainly for weavers such as Jean Courdijn and Baudouin van Beveren. The latter referred to him as the best landscape painter in the country
Alfred Rethel
1816 Diepenbend/Aachen-1859 Dusseldorf, was a German history painter. Rethel was born in Aachen in 1816. He showed an interest in art in his early life, and at the age of thirteen he executed a drawing which procured his admission to the academy of D??sseldorf. Here he studied for several years, and produced, among other works, a figure of St Boniface, which attracted much attention. At the age of twenty, Rethel moved to Frankfurt, and was selected to decorate the walls of the imperial hall in the Rmer with figures of famous men. At the same period he produced a series of designs illustrative of Old Testament history. Four years later, Rethel was the successful competitor for the work of ornamenting the restored council house of his native city with frescoes depicting prominent events in the career of Charlemagne, but the execution of this work was delayed for some six years. Meanwhile Rethel occupied himself with the production of easel pictures and of drawings. In 1842, he began a striking series of designs dealing with the Crossing of the Alps by Hannibal, in which the weird power which animates his later art becomes first apparent. In 1844 Rethel visited Rome, executing, along with other subjects, an altar-piece for one of the churches of his native land. In 1846, he returned to Aachen, and commenced his Charlemagne frescoes.
CATARINO
Italian painter, Venetian school (known 1362-1382 in Venice)






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